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<blockquote data-quote="panos_adgr" data-source="post: 2786" data-attributes="member: 12"><p>It is physics.</p><p>No small sensor can reach a full frame, sensor in signal to noise ratio, sensor saturation and dynamic range. I've had crop cameras and mirrorles. Full frame is by far superior in dynamic range, low noise, and usable dynamic range in shadows. All mirrorless use pixels rows for AF which introduce banding in shadow areas. It is mostly noticed when shadows are raised (with exception of fujifilm medium format GFX Series).</p><p>Mirrorless technology has advanced greatly but there are some fields that the technology needs to mature a bit more.</p><p>It is and was a common issue in all mirorless cameras. I had an a6000 sony which had this and I had difficulties in Post processing.</p><p>It is was an issue in the Z6 and Z7 nikon cameras, most sony's etc.</p><p>I do a lot of landscape and I cannot risk losing information due to sensor banding issues or other problems. Phase and contrast detect AF uses sensor resources, which are balanced with in camera processing algorithms to handle banding suppression. From all the mirrorless cameras the GFX series are succeeding in eliminating these issues.</p><p></p><p>Probably a GFX camera will be my next upgrade in the far future. For the moment I have 2 D850s that are giving me results beyond my expectations. Even my D610 which is already old tech delivers me outstanding results.</p><p>My D7200 which is supposed to be one of the best crop cameras doesn't reach the older D610 (full frame) in any aspect.</p><p></p><p>I like a lot Olympus cameras and if I would by one that would be an OMD EM 1X but with this amount of money Full Frame for me is the only way.</p></blockquote><p></p>
[QUOTE="panos_adgr, post: 2786, member: 12"] It is physics. No small sensor can reach a full frame, sensor in signal to noise ratio, sensor saturation and dynamic range. I've had crop cameras and mirrorles. Full frame is by far superior in dynamic range, low noise, and usable dynamic range in shadows. All mirrorless use pixels rows for AF which introduce banding in shadow areas. It is mostly noticed when shadows are raised (with exception of fujifilm medium format GFX Series). Mirrorless technology has advanced greatly but there are some fields that the technology needs to mature a bit more. It is and was a common issue in all mirorless cameras. I had an a6000 sony which had this and I had difficulties in Post processing. It is was an issue in the Z6 and Z7 nikon cameras, most sony's etc. I do a lot of landscape and I cannot risk losing information due to sensor banding issues or other problems. Phase and contrast detect AF uses sensor resources, which are balanced with in camera processing algorithms to handle banding suppression. From all the mirrorless cameras the GFX series are succeeding in eliminating these issues. Probably a GFX camera will be my next upgrade in the far future. For the moment I have 2 D850s that are giving me results beyond my expectations. Even my D610 which is already old tech delivers me outstanding results. My D7200 which is supposed to be one of the best crop cameras doesn't reach the older D610 (full frame) in any aspect. I like a lot Olympus cameras and if I would by one that would be an OMD EM 1X but with this amount of money Full Frame for me is the only way. [/QUOTE]
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