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Eternal Oblivion

Location
Europe
Camera type
DSLR camera
Camera sensor
Full-frame
EXIF
Nikon D750
Nikkor AF-S 24-85mm f/3.5-4.5G ED VR
@24mm
Vibration Reduction OFF (Very important)
ND Filter HOYA PRO ND1000 (10 stop)
9 long exposures each one as below with self timer adjusted at 2'' after press of shutter button, with 9 sequential shots with 0.5'' interval between them. ( Important because you never touch the camera after first press)
ETTR Technique (Expose To The Right of the Histogram for sensor/light saturation and low signal to noise ratio)
+1.7EV Exposure Compensation
s 30''
f/9.0
iso 100
AWB
Eternal Oblivion

MS Mediterranean Sky (MS City of York)
https://en.wikipedia.org/wiki/MS_City_of_York

30' minutes drive from my home and away from the city I live is a town calls Elefsina / Eleusis. Passing the town of Elefsina and driving through an old country road lies next to the coastline a half sunken ship. The MS City of York was built in the year of 1953, 7 decades ago this ship started to sail the seas. It used to sail from London to Africa and back. It was sold to a Greek naval company in 1971 and was renamed to MS Mediterranean Sky after it was renovated and converted to sea liner. It made its last journey in 1996 and since then it was being laid up in Eleusis Bay. It capsized in 2002 after it was towed in the swallow waters near the coastline, where it half sunked and remained there until this day. From 2021 it is visible also on Google Earth.

It is one of the most popular sites for photographers and it is photographed every year all the time. It is also a place where many photographic workshops take place. Access is relatively easy. But it needs caution due to terrain form.
I have visited this location many times and a these are photos from my most recent visit 1 day ago from the moment this post is made.

Untitled1 copy.JPG
 
panos_adgr
panos_adgr
Passionate Amateur Photographer since I was a kid. 2 Publications in Nikon's Photo Contest Calendar 2020 & 2023
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panos_adgr

panos_adgr

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Feb 8, 2022
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Good morning Panos, yes that would be great! I am not technically minded when it comes to cameras, but I am learning slowly! I assume your camera is able to be programed to take your shots with a 2 second time gap between each one? I only have a bridge camera and to get the effect that you produce I can only set a long exposure max 60 seconds. Then I use lightroom and photoshop to tweak the photos to try and get the water surface like yours! They are getting better but not upto your standard. I have tried taking 9 photos and stacking them in photoshop, but the end result just looks like they photos before I stacked them. I do stack my drone photos all the time and I am happy with them. Seeing your work flow would be great, thank you. Have a great day!
Hello Phil! Almost all cameras can be progeammed with an interval time between the shots. All of my cameras are set to the least possible time space between the shots which is 0,5''. And I use self timer to start my shots with a 2 second delay after the press of the button. I use self time mode and I set it to 9 sequential exposures.

You can get the effect of the water or clouds even with one long exposure. But it depends also on the weather and motion of the water or clouds. If clouds are moving fast you can have a nice effect even with a 30''. If they are moving slow then you will need a longer exposure. The water blur effect is absolutely relevant with the wave motion. If the sea is calm you do not need a very long exposure. 30''-60'' seconds are almost enough. If the sea is rough then you will need longer exposure.

The photos above are many images stacked. Each one is 30'' but the effect after stacking is equivalent to the sum of 9 exposures, times, 30'' which gives us an equivalent effect of 270''.

You can use a darker ND filter or stop down the aperture to a higher f/ number to achieve longer exposure. I use the stacking method of many shots to cancel out the noise in stacking process (noise has a random pattern in each shot which is recognised in mean stacking mode and is cancelled) and to avoid sensor overheating because of very long exposure which has a result of 'hot pixels' (blue red and green dots in photo). Even if you have the most expensive camera on the planet hot pixels in very long exposures are inevitable.
I use short intervals between shots because the shorter the interval is the smoother the blur of the stacking is. If you have even 1'' interval then the clouds are blurred but you can 'see steps' in motion in clouds. Like you have blended many shots with different cloud positions. In 0.5'' the gap is small and 'mean' mode stacking is blending it smoothly.

I will be back with more information at some time.
 
Vas (Jack)

Vas (Jack)

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I was thinking the DJI Mini 3 Pro or if I can afford a more the Mavic 3. It also looks very interesting the DJI Avata.

I have purchased Mini 3 Pro. It's a great drone, and very compact as well. I have also Air 2s, but that's when I'm going to visit empty fields, or highlands.

Dji avata is a FPV drone, I would not say it's good for photography. You also can crash it very quickly, it's very loud too.
 
panos_adgr

panos_adgr

Member
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Feb 8, 2022
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I have purchased Mini 3 Pro. It's a great drone, and very compact as well. I have also Air 2s, but that's when I'm going to visit empty fields, or highlands.

Dji avata is a FPV drone, I would not say it's good for photography. You also can crash it very quickly, it's very loud too.
Thanks for the advice Jack! You have more experience than me. I was thinking also the Air 2s but in some reviews they say that although it is very good it is a bit old and new models are more improved.

What is very important for me is Raw shooting ability and of course a good camera. I do not want one with 1'' sensor. I would prefer a drone with a four thirds sensor but these are pricey.

The drone is quite secondary in my thoughts though. Next investments are a Nikkor 24-120mm VR F/4.0 or a 3rd party 24-70mmm f/2.8 and then a Tamron 150-600mm to close my system. After these I might look for a drone or possibly for Fujifilm GFX body or a Nikon Z8 if it comes out apparently and if my financials are good. If not then I will be watching them from my pc.šŸ˜‚
 
Vas (Jack)

Vas (Jack)

Live it fully!
Staff member
Top Poster Of Month
1 1 1
Jan 29, 2022
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Edit my images
Yes
Thanks for the advice Jack! You have more experience than me. I was thinking also the Air 2s but in some reviews they say that although it is very good it is a bit old and new models are more improved.
Air 2s is still a good drone, and it's not really old drone. I purchased the mini 3 Pro because of its weight, is 249g. If you can afford, go for Mavic 3, but that is for professional videographers.

I love my drones, but honestly I'm not using much my air 2s as I'm using my mini 3pro for now. Both drones shoot in raw which is good.

I'm saving now for 100-400mm lens as well, and hopefully in the future a mirrorless camera.
 
G

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Nov 6, 2022
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Hello Phil! Almost all cameras can be progeammed with an interval time between the shots. All of my cameras are set to the least possible time space between the shots which is 0,5''. And I use self timer to start my shots with a 2 second delay after the press of the button. I use self time mode and I set it to 9 sequential exposures.

You can get the effect of the water or clouds even with one long exposure. But it depends also on the weather and motion of the water or clouds. If clouds are moving fast you can have a nice effect even with a 30''. If they are moving slow then you will need a longer exposure. The water blur effect is absolutely relevant with the wave motion. If the sea is calm you do not need a very long exposure. 30''-60'' seconds are almost enough. If the sea is rough then you will need longer exposure.

The photos above are many images stacked. Each one is 30'' but the effect after stacking is equivalent to the sum of 9 exposures, times, 30'' which gives us an equivalent effect of 270''.

You can use a darker ND filter or stop down the aperture to a higher f/ number to achieve longer exposure. I use the stacking method of many shots to cancel out the noise in stacking process (noise has a random pattern in each shot which is recognised in mean stacking mode and is cancelled) and to avoid sensor overheating because of very long exposure which has a result of 'hot pixels' (blue red and green dots in photo). Even if you have the most expensive camera on the planet hot pixels in very long exposures are inevitable.
I use short intervals between shots because the shorter the interval is the smoother the blur of the stacking is. If you have even 1'' interval then the clouds are blurred but you can 'see steps' in motion in clouds. Like you have blended many shots with different cloud positions. In 0.5'' the gap is small and 'mean' mode stacking is blending it smoothly.

I will be back with more information at some time.
Hello Panos, Thank you for taking the time to type up the information. I use a remote shutter release, and do a rough count between shots would that ultimately produce the same effect? I also use a 1000 ND filter thats the largest filter I have, would you recommend getting a stronger one? I realise that is also dependant upon the amount of sunlight at the time of taking a shot. I recently posted 2 photos under the "Lakes" forum (Page 3) If you could have a look at them and let me know what you think, it would be appreciated. All the very best. Phil.
 
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